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HOME HISTORY MAGAZINE: -Stockists -Previous Issues -Gallery - Words -Gallery - Pictures -How to Submit EVENTS / EXHIBITIONS: -Upcoming / Archive -]Bracket THIS[ BACKSLAPPING COUNTER CULTURE NO TO STEREOTYPES LINKS |
Since
we started out, we've had more than our fair share of column inches,
awards and downright arse-kissing. It's been great. Below is the pick
of the bunch... AUGUST 2007 CULT OF DIESEL "The latest collective to make the jump from lo-fi to legit, the Mercy Design team have grown to dominate the Liverpool creative scene with their 100-strong team of artists and writers. But it's their bare-faced cheek which has set them apart from their fellow agencies. Their hijacking of the city's streets during the campaign for City of Culture is the stuff of creative legend and might possibly have swung the vote in Liverpool's favour. Taking advantage of the city's newly scrubbed walls the night before the deciding commitee's arrival, the Mercy posse irked the council's efforts, wall-papering the city centre with their 'This Is Culture' posters." Alex Zamora OCTOBER 2006 NOISE FESTIVAL CURATOR'S CHOICE The inaugural NOISE event: a biennial festival of young, creative contemporaries. Mercy magazine selected as Curator's Choice and exhibited at Urbis, Manchester: "Mercy is lo-fi production wise, but beats a lot of 'real' magazines in terms of its consistently humourous content. The Liverpool based zine has narratives, stories, poems, trains of thought, rants - about anything that gets its goat. It beats a lot of London zines because it is so un-self conscious. A team to watch for the future." Claire Lomax (Curator: Zines) NOISE site JULY 2006 FICTION AT THE WHITECHAPEL ART GALLERY Performance by the Fiction Brand New Quality Poetics Massive JULY 2006 FICTION AT THE LATITUDE FESTIVAL Performance by the Fiction Brand New Quality Poetics Massive APRIL 2006 FACT MAGAZINE REVIEW "A smart and funny alternative mouthpiece for the creative community." Read the article here WINTER 2005/06 MAP MAGAZINE ARTICLE "Disposable and vital...Beneath the snickering and the two-fingered salutes...is a critique of mainstream culture’s impending modern art makeover." Read the article here OCTOBER 2005 DAZED & CONFUSED FACES OF LIVERPOOL ARTICLE We helped get together the 'movers and shakers' of this place for a big ol photoshoot and general 'look at us' piece. NOVEMBER 2004 (TIL DECEMBER 2005) LEVI'S ANTIDOTE CONTENT PARTNER We were the pilot scheme that Levi's launched Antidote off the back of. They were originally involved as a backer for the first )Bracket THIS( show, and its success led them to go ahead with what was a grand project: a regular Europe-wide 'zine, made up of pages from zines across the continent, printed in five different languages, and available for free in every Levi's store. In return, Levi's backed us for more events, including ongoing Fiction do's and our first London show at Mache. Doug Mercy even got to write a column for it. Antidote website MAY 2004 STELLA ARTOIS AFTER DARK Worked with Exposure, on behalf of Stella Artois, to help promote the After Dark festival of future cinema at FACT in Liverpool. We interviewed Osymyso for Mercy. MARCH 2004 DAZED / TOPSHOP RE:CREATION AWARDS The THIS IS CULTURE poster campaign (and the I AM CULTURE badges that go along with it) was shortlisted for the awards in the graphic design / illustration category, along with 6 other contenders. We all got to go to some celebrity awards do, and see the poster projected about twenty feet high on stage behind Franz Ferdinand at the after show party. Ooh! About RE:CREATION FEBRUARY 2004 GUARDIAN G2 ARTICLE "The cult Liverpool fanzine" Read the article here FEBRUARY 2004 DAZED & CONFUSED GUIDE TO LIVERPOOL We were asked to put together a guide to Liverpool, consisting of the faces and places that make it such a hotbed of trendy excitement - well, in our humble opinion that is. DECEMBER 2003 CREATIVE REVIEW LETTERS "This debate (Students Stop Whining, Letters October, November) will rage for a lot longer than CR can be bothered to print letters about it, but I find it amazing that people of our generation can be so indignant about a "lack of opportunities". Anyone who really wants to be a designer surely must have researched the industry to the extent that they know what to expect when they enter it? Yes, it sucks that companies have an almost arrogant approach to taking risks on new talent, but you can't really blame them when they've so much choice. With thousands more graduates each year thrown into the mix, to assume a degree is a passport to a nice design job is stupifyingly naive. It would be a good idea for colleges to recall graduates after a year or two to explain some harsh realities. Graduates: wake up, open your eyes and live with it. Be patient and, if you're good enough, the breaks will come eventually. In the meantime, do something amazing; if you've got the energy to write letters to CR then you've got the energy to start a magazine, design flyers for your friends, experiment with your work. If you really do love design, that should be enough. You don't need to be employed to be a designer." Doug Kerr DECEMBER 2003 THE FACE / LEVI'S BOLD NEW BREED Doug Mercy invited to work for The Face for one month as a fully-fledged member of the design team, plus the sole designer for the 'Intern Fanzine' pages. JUNE 2003 ANTHONY WILSON CONGRATULORY EMAIL The Man Himself sent us the following, in response to the bombardment of issues we regularly sent over: "FUCKING ACE WE ARE MANCS AND WE ARE IMPRESSED SCOUSERS ABLE TO TAKE THE PISS OUT OF THEMSELVES UNHEARD OF ACTUALLY COOLER THAN ANYTHING IN MANCHESTER A BIT ED TEMPLETON WHICH IS PRAISE BEYOND PRAISE CONGRATS YOU ARE THE CITY OF CULTURE" APRIL 2003 (DE)FACE THE FACE Doug Mercy's illustration selected in Top 50 re-workings of covers of The Face. |
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